After announcing the retirement of his synth-pop project Say Hi in 2017, Eric Elbogen – also the mastermind behind Werewolf Diskdrive – has brought Say Hi back for one more record. … More Album Review: Say Hi – Caterpillar Centipede
Released earlier this month on Afternoon Records, Bad Bad Hats’ latest record is a whirlwind indie pop narrative of independence and dependence in relationships. It is only the band’s second release, but already, they sound confident and bold, mixing gritty elements with smooth synth melodies effortlessly. Frontwoman Kerry Alexander’s vocals are soft and sweet and … More Album Review: Bad Bad Hats – Lightning Round
Holly Rees’s recently-released EP, Slow Down, is a quick folk journey through loneliness, love, and heartbreak. Rees is accompanied by only her acoustic guitar and the occasional percussion on these five tracks, and the result is authentic and emotional. The release of the EP also kicks off her Northern Tour with Matt Dunbar, who also happened … More EP Review: Holly Rees – Slow Down
Charley James graduated from high school and self-released an electropop EP in one fell swoop this summer. The EP, titled Baby We’re Optimists, Remember?, dropped on June 29. Its themes are familiar to any high school student, especially those who are slated to move to college in the fall: he sings about youth, first loves, and the … More EP Review: Charley James – Baby We’re Optimists, Remember?
London alternative-indie band LAPYEAR made its debut with its first ever EP, titled Comfort Underwater, on March 9. The four tracks sound vaguely like a blend of Neck Deep and Turnover and alternate between dreamy rock and leaning towards garage-y guitars. Despite alternating between soft, underwater-sounding guitar riffs and garagey vibes on each of the four tracks, … More EP Review: LAPYEAR – Comfort Underwater
There’s something haunting about the indie folk music on Riverhorse’s debut album, Who Gets The Last Laugh On Doomsday?. Whether the ghostly quality comes from gorgeously bittersweet melodies or frontman Brian Motyll’s husky vocals, the album makes Motyll’s heartbreak sound as if it has become universal. Who Gets The Last Laugh uses a variety of sounds to complete … More Album Review: Riverhorse – Who Gets The Last Laugh On Doomsday?
Philadelphia indie pop band Kississippi‘s latest record, Sunset Blush, finds the band tighter and bolder than any previous release, and frontwoman Zoe Reynolds sounds confident in her vocals as she croons about heartbreak and loss. The record itself is a testament to the idea that you don’t have to be hardened to be strong; even in vocals, Reynolds’ airy … More Album Review: Kississippi – Sunset Blush
Blending jangly girl-group harmonies with grinding punk guitars on nearly every track, Philadelphia indie-rock band Hop Along is back with another genre-bending record. The band’s fourth full-length, Bark Your Head Off, Dog, is out tomorrow, April 6, on Saddle Creek, and features forty minutes of intricate music that defies any categorization. There’s a smooth contrast between the rocking guitars, … More Album Review: Hop Along – Bark Your Head Off, Dog
Vundabar’s Smell Smoke, out February 23, is addictingly dark post-punk. With sticky melodies that needle their way into your brain and nearly-chaotic guitar riffs, there’s a grunginess and a melancholy energy on each cathartic track that leaves you wanting more. Vundabar tears its way through ten riveting rock songs on Smell Smoke, beginning with “Acetone”. Bright chords and … More Album Review: Vundabar – Smell Smoke
The Fleeting Ends wavers back and forth between bright alternative rock and bluesy indie on its latest album, I Know You Lie Cos So Do I, and while the band seems to excel at both ends of the spectrum, tracks that fall in the middle–“Waiting for the Drop” and “How Much Longer”, for example–feel almost as … More Album Review: The Fleeting Ends – I Know You Lie Cos So Do I