Roughly three and a half years after their previous release, Toronto folk-pop band Olivia and the Creepy Crawlies released Room To Grow on October 4, 2018. It’s an eight-track, 28-minute folk-pop album, and although the first song is a light introduction to the rest of the record, the six-piece band quickly shows the depth of their … More Album Review: Olivia and the Creepy Crawlies – Room To Grow
Sometimes, all the week needs is a bouncy indie pop album about sirens and love and loss: in this case, Small Million‘s Young Fools EP, out this Friday, October 12. With seven tracks and clocking in at just over 23 minutes, it’s not too long to become tedious, but the band is able to explore their … More EP Review: Small Million – Young Fools
“Sibling pop duo” Klashing Black, out of Northwest Ohio, dropped their debut full-length album, Who We Were. Who We Are. last Friday, August 17. Smooth lyrics deal with nostalgia, growing up, and the classic and ever-constant theme of change as the background is filled with either rich synth or mellow guitar picking and ’80s-inspired drum beats. … More Album Review: Klashing Black – Who We Were. Who We Are.
Perhaps the most remarkable part of EXNATIONS‘ Tiny Sound In The Dark EP, due for release tomorrow, is not its classic synth or its poppy melodies; it is the EP’s impressive cohesion, despite the fact that all three band members were rarely in the same place at the same time. According to the band’s bio, frontman … More EP Review: EXNATIONS – Tiny Sound In The Dark
Released earlier this month on Afternoon Records, Bad Bad Hats’ latest record is a whirlwind indie pop narrative of independence and dependence in relationships. It is only the band’s second release, but already, they sound confident and bold, mixing gritty elements with smooth synth melodies effortlessly. Frontwoman Kerry Alexander’s vocals are soft and sweet and … More Album Review: Bad Bad Hats – Lightning Round
Holly Rees’s recently-released EP, Slow Down, is a quick folk journey through loneliness, love, and heartbreak. Rees is accompanied by only her acoustic guitar and the occasional percussion on these five tracks, and the result is authentic and emotional. The release of the EP also kicks off her Northern Tour with Matt Dunbar, who also happened … More EP Review: Holly Rees – Slow Down
Charley James graduated from high school and self-released an electropop EP in one fell swoop this summer. The EP, titled Baby We’re Optimists, Remember?, dropped on June 29. Its themes are familiar to any high school student, especially those who are slated to move to college in the fall: he sings about youth, first loves, and the … More EP Review: Charley James – Baby We’re Optimists, Remember?
In a world that’s ever-so-harsh, sometimes the only way to cope is by appreciating beautiful things, no matter what form that appreciation comes in: art, people, food, music, et cetera. With his latest album, We Are Like Coloured Moths Towards The Sunlight, hereby referred to as Coloured Moths for short, London-based singer-songwriter Valerio Lysander has created exactly … More Album Review: Valerio Lysander – We Are Like Coloured Moths Towards The Sunlight
For the past twelve days, Indientry has been silent; I was with eleven other teenagers on a backpacking and environmental service trip through Outward Bound, hiking a portion of the Appalachian Trail and helping out around Philadelphia. It was definitely exhausting, but I had fun with my crew and it was nice to take a … More Album Review: KNOTTS – IS IT ART YET?
Released earlier this month on June 16, Two Meters’ self-titled EP is a smorgasbord of sound. Jumping between dreamy pop and experimental folk, the only common thread is a gauzy sound and darkly haunting lyrics. The EP opens with “Left Behind,” a slow, dreamy shoegaze track about the death of frontman Tyler Costolo’s mother. Faded … More EP Review: Two Meters – Two Meters